It was just a question of time, Bruce Dickinson would make a solo album. And Iron Maiden’s year off provided the opportunity.
Produced by Chris Tsangarides
Released 8 May 1990
It’s over 25 years since the Iron Maiden singer embarked on his first solo adventure. We’re about to get into more features and discussions about Maiden’s 1990s here at Maiden Revelations, and this album was the first Maiden-related release of the new and challenging decade.
It all started with a song which is not on the album, Bring Your Daughter…To The Slaughter. Dickinson delivered the track for the A Nightmare On Elm Street 5: The Dream Child soundtrack, and everybody loved it. Steve Harris wanted the song for Maiden’s next album, and the powers that be wanted Dickinson to record a whole album of such stuff. With Maiden on hiatus, the singer jumped at the chance.
Tattooed Millionaire sounds better and more playful than Adrian Smith’s lacklustre ASAP album Silver And Gold (1989). Dickinson found the perfect partner in crime when he hooked up with ex-Gillan guitarist Janick Gers to write and record.
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The album is off to a flying start with Son Of A Gun, a tune that showcases two things right off the bat: Dickinson’s vocal approach has changed radically since the end of the Seventh Son Of A Seventh Son tour in 1988, becoming throatier and raspier in a way he would continue for some years. And Gers is a very capable guitarist, sounding better here than he ever would on subsequent Maiden recordings.
Other good songs on the album include the title track, the ballad Gypsy Road, the moronic Dive! Dive! Dive!, and the revealing Born In 58. The latter provided a bit of a breakthrough for Dickinson, pointing him in the direction of more personal lyrics and themes. It also features career-high guitar work from co-author Gers.
Then again, who’s life would have been poorer without Hell On Wheels, Lickin’ The Gun or Zulu Lulu? The fact that the album was written in two weeks is frankly quite obvious from the very uneven quality of the material. There was no artistically ambitious intention behind the record, it was done for fun and it sounds like it.
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Dickinson was thought by many to want out of Maiden at the time, but nothing was further from the truth. He still claims that he was very happy when he returned to his day job to make their first 1990s album. It was his old partner Adrian Smith that would soon find himself out of the band, and Janick Gers who would be called in to replace him.
It’s difficult to take Tattooed Millionaire as a meaningful first solo step, for the reasons already mentioned. It’s fun but patchy, and not at all indicative of where Dickinson would go when he got serious about it.
Fair enough, it was 1990!
Christer’s Verdict: 3/6